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ansel
31:00
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supported by 24 fans who also own “January 27, 2020”
This album makes you feel like you're inside an old computer that is on it's last legs. Everything is glitchy, aggressive, and decaying around you. There are only a few moments where it feels something is still functioning and intact, only to be followed by more sounds of disrepair. Truly a special experience.
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supported by 23 fans who also own “January 27, 2020”
Flores uses some of the best synth sounds I’ve ever heard and writes good songs but again the singing is just flat out bad. I feel like Flores has heard this criticism before and tried to make up for it with this album by using reverb, doing occasional whisper singing and just hiding his voice in the background and it still doesn’t work for me. I really want to like Flores but the voice just kills it.
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supported by 23 fans who also own “January 27, 2020”
Love the vocals fading in and out throughout the album.
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Moments Remixes
by Michael Vincent Waller
There’s a quiet beauty to this remix album of compositions by Michael Vincent Waller, with contributions from JLin, Prefuse 73, & more.
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Thinking of Blue Almonds Part One
by Lou Lyne & the Blue Almond Project
Somber, beautiful string meditations abound on the debut album by Oxford cellist and composer Lou Lyne and her ensemble.
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Ki moun ou ye
by Nathalie Joachim
Vocalist, flutist, and composer blends traditional instrumentation with jazz-inflected neoclassical arrangements.
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