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If you like Live at Heavy Culture, Kiev, 2020.I.18, you may also like:
supported by 24 fans who also own “Live at Heavy Culture, Kiev, 2020.I.18”
This album makes you feel like you're inside an old computer that is on it's last legs. Everything is glitchy, aggressive, and decaying around you. There are only a few moments where it feels something is still functioning and intact, only to be followed by more sounds of disrepair. Truly a special experience.
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Д Е Р Е В Е Н С К И Й F А Н К
by Л е н ь
supported by 23 fans who also own “Live at Heavy Culture, Kiev, 2020.I.18”
This is nice mix of genres. I like it, I like it a lot.
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supported by 23 fans who also own “Live at Heavy Culture, Kiev, 2020.I.18”
Smooth jazz for the modern vaporwave community. It's difficult to describe -- It sort of sits between the ears and the brain.
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Moments Remixes
by Michael Vincent Waller
There’s a quiet beauty to this remix album of compositions by Michael Vincent Waller, with contributions from JLin, Prefuse 73, & more.
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Thinking of Blue Almonds Part One
by Lou Lyne & the Blue Almond Project
Somber, beautiful string meditations abound on the debut album by Oxford cellist and composer Lou Lyne and her ensemble.
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Ki moun ou ye
by Nathalie Joachim
Vocalist, flutist, and composer blends traditional instrumentation with jazz-inflected neoclassical arrangements.
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Aqua Placenta
by Ursula's Cartridges
supported by 23 fans who also own “Live at Heavy Culture, Kiev, 2020.I.18”
UC always manages to bring something unique and compelling with each album, and Aqua Placenta is as hard-hitting as one could expect from an artist this prolific. Juggling elements of trip hop, noise, ocean grunge, and vaporwave all at once, everything feels almost effortlessly slotted into place, tied by the album’s environmental theming and the mood surrounding said themes. While Lindsheaven’s similarly themed “Nordwrong” was wistful, “Aqua Placenta” is tense, angry, bombastic.
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